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This documentary beat others to the punch as it is the first one ever to address those little religious booklets everyone has seen at one point or another. Chick's tracts have an entry in the Smithsonian Institute and have been spotted in a Stephen King film. It is the first and definitive documentary on Jack T.

Chick and his religious tracts. The documentary explores the controversial worldview and work of Jack T. Chick and his little comic books, including unknown interesting trivia.

Chick is a self-published author whose work has passed the 3/4 of a billion mark, making him the most published independent author and artist alive, even surpassing J.K. Rowling and Stephen King combined. It's odd that no mainstream news program has given Chick his due, no matter how controversial and distasteful people find him. Nice to get some background info on something that formed part of the background of my youth.

I dinked around with the ultra-fundie mindset when I was 14; woke up out of it around the time I turned 17. Nice to see Hal Robins, a great artist, and no doubt subtly influenced by Chick; and Rev.

Some believers--and, really, that's all they are; they can't really be considered 'people of faith'--may balk at this flick. But in fairness it's important to note that at least the film is honest enough to drop that other shoe. At one point, one of the fan/collector guys comes right out and summarizes the twisted amoral center of the black hole where Chick lives. He tidily points out the total jackass 'god' plainly depicted in the tract 'Holy Joe'.

So, yeah, this flick holds Chick out at arm's length while basking in the eerie glow of his stark cartooning style and bizarre, contempt-permeated theology. It's great that they were able to bring in some of Chick's collaborators; especially the smokingly whacked out Dr. I was reflecting on Chick's oft'-touted popularity, when it struck me: Fundamentalism eludes moral accountability by various tricks, such as mercurially morphing a civil, rational facade, when so pressed. So, even now, tact/circumspection inclines you to stay your hand and give these 'believers' the benefit of a doubt; a benefit they would fain reciprocate, btw!

The reality of Chick's stunning popularity aptly belies the facade. These people really believe that god hates you and doesn't give a rat's a55 about your pretensions to honesty or integrity. And they are legion. Watch this and get a little background. Oh, a moment to comment on the production values: It's pretty much a string of interview snippets, vaguely put into an order that imparts a sense of forward motion; damning with faint praise, eh? The audio and video tech is fine.

So the thing isn't the most artfully done. But it still offers a decent window into Chick Publishing. Check it out. As a born-again Christian, Chick tract distributor and collector I was eager to see GOD'S CARTOONIST. It was a thoroughly engaging documentary, featured some insightful (and inciting) interviews, and uncovered fascinating details, but ultimately it stumbles and falls short of being the definitive documentary of Jack Chick.

The movie has much to its credit; for me, the film's real coup was its landing the first on-camera interview with Fred Carter, the long-unidentified 'other' Chick artist. It was Carter's amazing artwork that first captured my imagination when I came upon the tract 'The Sissy?' I recall reading it a dozen times as a young kid circa 1979 when I was a big fan of Marvel Comics and truck driver television shows like MOVIN' ON and BJ AND THE BEAR. I only wish the film would have given more attention to Fred Carter's magnum opus, THE LIGHT OF THE WORLD, a film comprised of 360 of Carter's eye-popping paintings. The fatal flaw of Kurt Kuersteiner's film, the one that keeps it from being the definitive document, was his decision to approach Chick as an under-appreciated underground comics icon as opposed to a Fundamentalist Christian crusader, teacher and visionary. Further damaging are a number of the film's participants, especially Dan Raeburn, who are snarky and dismissive when referring to Chick's Christian convictions. They want to deny and downplay the Christian component and emphasize only his artwork, his techniques, etc.