Teisco Serial Number Dating

May 2, 2018 - 3000 × 2025 - 4638k - jpg members.iinet.net.au Teisco World - Serial Number Date Chart 229 × 175 - 5k - jpg guitarhunter.blogspot.com The. The EP-9 (Teisco's first double cutaway - a small-bodied thinline hollowbody archtop) was introduced this year and the EP-7, EP-8, EP-14, EP-15, EP-17, EP-17-T and EP-18 were still available. 1965: A major style change this year which helps in the dating of models is the introduction of a striped metal pick guard on most models.

1960s Teisco ET-312 At the beginning of Japanese electric guitar production, the designers combined the Japanese artistic sense with whatever electric guitar examples they had. Sometimes they only had photos to use. In the 1950s, the small-bodied electrics were inspired by Valco,, and designs. There were very few Gibsons and Fenders in Japan at this time, and those that were there were very expensive. In the 1960s, designs became more extreme and bizarre because of three factors.

First, American buyers (in the form of wholesalers and importers) often requested designs that were copies of popular designs but meant to 'out-do' the originals through sheer sensationalism. Remember, the main market were American teenagers. Second, Japanese designers were often left to create many prototypes to show buyers.

Variation, combined with the aforementioned Japanese artistic flair, led to some truly original designs. And last, I attribute a lot to the time period. The 1960s were just way out there in a lot of ways, and many guitar companies from all around the world exhibited guitars with original designs. As the 1970s rolled around, true copy guitars were selling well, and all the creative flair of the 1960s unfortunately was long gone.

I know a lot of these brands were made in the same factories. Can you give me a overview of which brands were made by the same people?

The four main sources of Japanese electric guitars were,,,. These were by far the biggest producers.

Saeco magic roma manuale istruzioni in italiano 2. There were many other smaller factories during the 1960s, but almost all of them were gone by 1969. Teisco guitars were primarily produced with the Teisco, Teisco Del Rey, and brand names. Guyatone guitars mainly appeared in the US under the brand. Fujigen guitars used about 30 different brand names, and Kawai used even more!

From left to right, a Norma, 3 Teiscos and a Conrad. Are there any particular brands or models that are the most sought-after by collectors? Usually, the craziest designs are the most popular. Lots of switches, pickups, knobs, etc. Popular Japanese electric guitars are hard to identify because many players simply want to buy that same guitar they started playing on. But any type of artist association, as with other guitars, creates a demand.

Hound Dog Taylor, Ry Cooder, David Lindley, and even the infamous Shaggs all used Japanese guitars. How has general interest in vintage Japanese guitars changed over the years? It's still a fringe market, compared to vintage Fenders and Gibsons. Demand comes and goes, and devoted collectors with deep pockets come and go. In America, the demand seems to be the greatest.